Dawn French and Richard Curtis take viewers on a joyful stroll down memory lane as they look back at their favorite Dibley moments, and for the first time, tell the definitive story of the making of the show. The pair are joined by a host of guest stars and celebrity fans including Kylie Minogue, Hugh Bonneville, and Joanna Lumley, as well as writer Paul Mayhew-Archer, producer Jon Plowman, and James Fleet (Hugo Horton).

The nation's favourite vicar muses upon lockdown, social distancing, masks and absent friends.

Celebrating the legendary comedy with clips and insights from the cast and celebrity fans.

The Vicar of Bray is a satirical description of an individual fundamentally changing his principles to remain in ecclesiastical office as external requirements change around him. The religious upheavals in England from 1533 to 1559 and from 1633 to 1715 made it almost impossible for any individual to comply with the successive religious requirements of the state.

A behind-the-scenes look at the making of the 1998 movie "Out of Sight".

Dramatizations of various social issues and ethical dilemmas are presented for the viewer to ponder the resolutions themselves.

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.

An agoraphobic must give up his sheltered life and venture outside after a series of personal and financial problems.

Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.

Inside Out In The Open is an hour-long documentary about a form of jazz, popularly known as free jazz. The film is an exploration of that music through the voices and performances of over twenty such musicians, from those who were its first generation to younger musicians joining the tradition.